Fast turnaround advertising shoot requiring adaptable beauty light and multiple colour options to match animation.
The lighting brief was to match a Saturday night primetime aesthetic with the ability to quickly colour shift on set and deliver a 'straight out of the box' clarity on the subject as well as a consistency across the full length green screen to aid the super-tight turnaround in post. Key lighting choices were Arri Orbiters - lightweight, directional, excellent colour shift – plus a Briese Focus 140 as key with enough flex to work equally well close and wide. Working closely with regular collaborator Neil Pymer and the excellent in house Aardman team.
Director: Neil Pymer
DOP: Joseph Turp
Operator: Dave Mackie
Gaffer: Bertil Mulvad